Ο Γιώργος Χαρωνίτης επιλέγει 100 σπουδαίους δίσκους της τζαζ

Το είχε κάνει με αφορμή το 14ο Vinyl Is Back.

 Ο Γιώργος Χαρωνίτης έφυγε από την ζωή σε ηλικία 70 ετών. 

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Cannonball Adderley: Somethin’ Else (Blue Note, 1959)
Louis Armstrong: The Complete Hot Fives & Hot Sevens (Columbia)
Louis Armstrong: Plays W.C. Handy (Columbia, 1954)
Art Ensemble of Chicago: Les Stances a Sophie (Nessa, 1970)
Art Ensemble of Chicago: Full Force (ECM, 1980)
Albert Ayler Trio: Spiritual Unity (ESP, 1964)
Count Basie: The Atomic Mr. Basie (Roulette, 1957)
Art Blakey / Thelonious Monk: Art Blakey and Thelonious Monk (Atlantic, 1957)
Art Blakey & the Jazz Messengers: Moanin’ (Blue Note, 1958)
Carla Bley / Paul Haines: Escalator Over the Hill (Watt, 1968-1971)

The Carla Bley Band: Musique Mecanique (Watt, 1978)
Anthony Braxton: Five Pieces 1975 (Arista, 1975)
Dee Dee Bridgewater: Love and Peace – Tribute to Horace Silver (Verve, 1994)
Peter Brotzmann Octet: Machine Gun (FMP, 1968)
Clifford Brown / Max Roach: Brown / Roach (Verve, 1954)
Dave Brubeck Quartet: Time Out (Columbia, 1959)
Serge Chaloff: Blue Serge (Capitol, 1956)
Don Cherry: Complete Communion (Blue Note, 1966)
Charlie Christian / Dizzy Gillespie: The Harlem Jazz Scene (Esoteric, 1941)
Billy Cobham: Spectrum (Atlantic, 1973)

Ornette Coleman: The Shape of Jazz to Come (Atlantic, 1959)
Ornette Coleman Double Quartet: Free Jazz (Atlantic, 1960)
John Coltrane: Blue Train (Blue Note, 1957)
John Coltrane: Giant Steps (Atlantic, 1959)
John Coltrane: A Love Supreme (Impulse!, 1964)
John Coltrane: Ascension (Impulse!, 1965)
Chick Corea: Return to Forever (ECM, 1972)
Miles Davis: Birth of the Cool (Capitol, 1949-50)
Miles Davis: Kind of Blue (Columbia, 1959)
Miles Davis: Sketches of Spain (Columbia, 1960)

Miles Davis: Bitches Brew (Columbia, 1969)
Eric Dolphy: Out to Lunch (Blue Note, 1964)
Duke Ellington: The Blanton-Webster Band (RCA, 1940
Duke Ellington: At Newport (Columbia, 1956)
Duke Ellington: New Orleans Suite (Atlantic, 1970)
Essbjorn Svensson Trio (e.s.t.): From Gagarin’s Point of View (ACT, 1999)
Bill Evans Trio: Sunday at the Village Vanguard (Riverside, 1961)
Gil Evans: The Individualism of Gil Evans (Verve, 1963-64)
The Gil Evans Orchestra: Plays the Music of Jimi Hendrix (RCA, 1974)
Jan Garbarek / Bobo Stenson Quartet: Witchi-Tai-To (ECM, 1973)

Stan Getz / Joao Gilberto: Getz / Gilberto (Verve, 1963)
Dizzy Gillespie: Groovin’ High (Indigo, 1945)
Jimmy Giuffre 3: 1961 (ECM, 1961)
Benny Goodman: Carnegie Hall Jazz Concert (Columbia, 1938)
Dexter Gordon: Our Man in Paris (Blue Note, 1963)
Charlie Haden: Liberation Music Orchestra (Impulse!, 1969)
Herbie Hancock: Maiden Voyage (Blue Note, 1965)
Herbie Hancock: Head Hunters (Columbia, 1973)
Coleman Hawkins: Body and Soul (RCA, 1939)
Andrew Hill: Point of Departure (Blue Note, 1964)

Billie Holiday: Lady in Satin (Columbia, 1958)
Keith Jarrett: The Koln Concert (ECM, 1975)
Keith Jarrett Quartet: The Survivors’ Suite (ECM, 1976)
Roland Kirk: Rip, Rig and Panic (EmArcy, 1965)
Peter Kowald: Duos - Europa / America / Japan (FMP, 1999)
Steve Lacy: The Straight Horn of Steve Lacy (Candid, 1960)
Yusef Lateef: Eastern Sounds (Prestige, 1961)
Charles Lloyd” Forest Flower (Atlantic, 1966)
John McLaughlin’s Mahavishnu Orchestra: The Inner Mounting Flame (Columbia, 1972)
Jackie McLean: Let Freedom Ring (Blue Note, 1962)

Brad Mehldau: Art of the Trio Vol. 3 (Warner, 1998)
Medeski, Martin & Wood: Combustication (Blue Note, 1998)
Charles Mingus: Pithecanthropus Erectus (Atlantic, 1956)
Charles Mingus: The Black Saint and the Sinner Lady (Impulse!, 1963)
Roscoe Mitchell: Sound (Delmark, 1966)
Modern Jazz Quartet: Third Stream Music (Atlantic, 1959)
Thelonious Monk: Brilliant Corners (Riverside, 1956)
Thelonious Monk & John Coltrane: Monk / Trane (Riverside, 1957)
Lee Morgan: The Sidewinder (Blue Note, 1963)
Jerry Mulligan: Quartet (Pacific Jazz, 1952)

Oliver Nelson: Blues and the Abstract Truth (Impulse!, 1961)
Herbie Nichols: Trio (Blue Note, 1955)
Charlie Parker: The Savoy Recordings – Master Takes (Savoy, 1944)
Charlie Parker / Dizzy Gillespie / Bud Powell: Jazz at Massey Hall (America, 1953)
Evan Parker: Monoceros (Incus, 1978)
Oscar Peterson: We Get Requests (Verve, 1964)
Max Roach: We Insist! Freedom Now Suite (Candid, 1960)
Sonny Rollins: Saxophone Colossus (Prestige, 1956)
Sonny Rollins: Freedom Suite (Riverside, 1958)
George Russell: Ezz-thetics (Riverside, 1961)

Pharoah Sanders: Karma (Impulse!, 1969)
Archie Shepp: Four For Trane (Impulse! 1964)
Wayne Shorter: Speak No Evil (Blue Note, 1964)
Jimmy Smith at the Organ: A New Sound, a New Star (Blue Note, 1956)
Spontaneous Music Ensemble: Karyobin (Chronoscope, 1968)
Sun Ra and The Arkestra: Sound of Joy (Delmark, 1957)
Sun Ra and His Arkestra: Jazz in Silhouette (Saturn, 1958)
Cecil Taylor: Nefertiti, the Beautiful One Has Come (Arista, 1962)
Cecil Taylor: Unit Structures (Blue Note, 1966)
Lennie Tristano: Tristano (Atlantic, 1955)

Kamasi Washington: The Epic (Brainfeeder, 1915)
Weather Report: Heavy Weather (Columbia, 1976)
Mike Westbrook: Off Abbey Road (Tiptoe, 1989)
Wildflowers – The New York Loft Jazz Scene (Knitting Factory, 1976)
Tony Williams Lifetime: Emergency! (Polydor, 1969)
Hal Willner: That’s the Way I Feel Now – A Tribute to Thelonious Monk (A&M, 1984)
Larry Young: Unity (Blue Note, 1965)
Lester Young / Coleman Hawkins: Classic Tenors (Joker, 1943)
Lester Young / Teddy Wilson: Pres and Teddy (Verve, 1956)
John Zorn Plays the Music of Ennio Morricone: The Big Gundoun (Nonesuch, 1984)

(από το ogdoo.gr)